William Gropper and His Circle

Oct 31 - Dec 20, 2024
Press Release
ACA Galleries 529 West 20th Street, 5th Floor New York, NY 10011
This exhibition is open Tuesday–Friday, 12–6PM
 

ACA Galleries is pleased to present an intimate exhibition celebrating the work of leading social realist artist William Gropper in dialogue with works by painters Philip Evergood and Robert Gwathmey. William Gropper and His Circle is presented in conjunction with William Gropper: Artist of the People—the first exhibition dedicated to Gropper in Washington D.C.—now on view at The Phillips Collection through January 5, 2025. 


The exhibition now on view at the storied West 20th Street location features paintings spanning three decades of Gropper’s practice, alongside works by Evergood and Gwathmey, his friends and artistic peers. For almost 90 years, ACA Galleries has exhibited Gropper’s art, which remains as relevant today as it was in the 1930s.


One of America’s most prominent Social Realists, William Gropper (1897-1977) was an American painter, muralist, political cartoonist, printmaker, and activist. His cartoons and caricatures appeared in mainstream publications such as Vanity Fair and the New York Tribune, as well as more radical papers like the New Masses, Rebel Worker, and Morning Freiheit. His socially conscious work went beyond simple demonstrations of support for the worker to the condemnation of racism, fascism, anti-Semitism, and governmental corruption.


During the 1930s, Gropper worked for the Works Progress Administration (WPA) and the Treasury Relief Art Project, creating murals for federal buildings nationwide. He also co-founded the John Reed Club, the Artists Union, and the American Artists’ Congress. In 1936, ACA Galleries held his first solo painting exhibition, publishing a significant catalogue of his work in 1938.

 

Gropper’s career expanded internationally in 1943 when the War Department Art Advisory Committee sent him to Africa to document the war. In 1944, he won first prize in lithography at the Artists for Victory exhibit at The Metropolitan Museum. After the WPA’s dissolution in 1947, he co-founded the Artists Equity Association.

 

Though called before McCarthy’s investigation committee in 1953, Gropper’s artistic contributions were widely celebrated through numerous museum exhibitions. In 1968 the Lowe Art Gallery at the University of Miami organized a major retrospective, and in 1971 ACA Galleries presented Gropper: Fifty Years of Drawing.

 

Gropper earned multiple awards including a Guggenheim Fellowship, a Carnegie International award, a Ford Foundation residency, and a Tamarind Fellowship. In 1968 he was elected to the National Institute of Arts and Letters  and in 1974 to the National Academy of Design.

 
Artworks
  • William Gropper Street Scene, 1950 Oil on canvas 36 x 60 in 91.4 x 152.4 cm
    William Gropper
    Street Scene, 1950
    Oil on canvas
    36 x 60 in
    91.4 x 152.4 cm
  • William Gropper Senate Committee, 1961 Oil on canvas 18 x 24 in 45.7 x 61 cm
    William Gropper
    Senate Committee, 1961
    Oil on canvas
    18 x 24 in
    45.7 x 61 cm
  • William Gropper Unemployed, 1963 Oil on canvas 24 x 30 in 61 x 76.2 cm
    William Gropper
    Unemployed, 1963
    Oil on canvas
    24 x 30 in
    61 x 76.2 cm
  • William Gropper The Senator, 1960 Oil on canvas 16 x 12 in 40.6 x 30.5 cm
    William Gropper
    The Senator, 1960
    Oil on canvas
    16 x 12 in
    40.6 x 30.5 cm
  • William Gropper Paul Bunyan, c. 1945 Oil on canvas 22 x 14 in 55.9 x 35.6 cm
    William Gropper
    Paul Bunyan, c. 1945
    Oil on canvas
    22 x 14 in
    55.9 x 35.6 cm
  • William Gropper The Artist (self portrait), c. 1950 Oil on canvas 24 x 19 in 61 x 48.3 cm
    William Gropper
    The Artist (self portrait), c. 1950
    Oil on canvas
    24 x 19 in
    61 x 48.3 cm
  • William Gropper Entertainers, c. 1969 Oil on canvas 20 x 24 in 50.8 x 61 cm
    William Gropper
    Entertainers, c. 1969
    Oil on canvas
    20 x 24 in
    50.8 x 61 cm
  • William Gropper Worker, 1939 Oil on canvas 18 x 13 in 45.7 x 33 cm
    William Gropper
    Worker, 1939
    Oil on canvas
    18 x 13 in
    45.7 x 33 cm
  • Philip Evergood Roadbuilders, 1956 Oil on canvas 50 1/4 x 30 in 127.6 x 76.2 cm
    Philip Evergood
    Roadbuilders, 1956
    Oil on canvas
    50 1/4 x 30 in
    127.6 x 76.2 cm
  • Philip Evergood Girl with Apples, 1950 Oil on canvas 29 x 21 in 73.66 x 53.34 cm
    Philip Evergood
    Girl with Apples, 1950
    Oil on canvas
    29 x 21 in
    73.66 x 53.34 cm
  • Philip Evergood Vacationing, 1940 Oil on canvas 25 x 30 in 63.5 x 76.2 cm
    Philip Evergood
    Vacationing, 1940
    Oil on canvas
    25 x 30 in
    63.5 x 76.2 cm
  • Philip Evergood Still Life, 1944 Oil on canvas 35 x 40 in 88.9 x 101.6 cm
    Philip Evergood
    Still Life, 1944
    Oil on canvas
    35 x 40 in
    88.9 x 101.6 cm
  • Philip Evergood Farmer's Daughter, 1954 Oil on board 30 x 24 in 76.2 x 61 cm
    Philip Evergood
    Farmer's Daughter, 1954
    Oil on board
    30 x 24 in
    76.2 x 61 cm
  • Robert Gwathmey Ecstasy, 1968 Oil on canvas 56 x 36 in 142.2 x 91.4 cm
    Robert Gwathmey
    Ecstasy, 1968
    Oil on canvas
    56 x 36 in
    142.2 x 91.4 cm
  • William Gropper Senior and Junior Oil on canvas 27 x 36 in 68.6 x 91.4 cm
    William Gropper
    Senior and Junior
    Oil on canvas
    27 x 36 in
    68.6 x 91.4 cm
  • William Gropper The Senator, 1960 Oil on canvas 34 x 24 in.
    William Gropper
    The Senator, 1960
    Oil on canvas
    34 x 24 in.