- Balcomb Greene, Abstraction II, 1936-65
- Balcomb Greene, Composition, 1937
- Gertrude Greene, 1938- X6, 1938
- Rolph Scarlett, Untitled 5, ca. 1949
- Rolph Scarlett, Untitled 7, ca. 1949
- Theodoros Stamos, On Blue Hill - Inner Bay, 1949
- Theodoros Stamos, Monolithic Idylls, 1947
- Ilya Bolotowsky, IB 4/1/11 #4, 1937
- Rolph Scarlett, Abstraction, ca. 1949
- Rolph Scarlett, Untitled 22, ca. 1949
- Sam Francis, SF71-1021, 1971
- Sam Francis, SF59-166, 1959
- Sam Francis, SF60-022, Paris, 1960
- Sam Francis, SF70-07, 1970
- Sam Francis, SF65-069, 1965
- Norman Bluhm, Untitled, 1989
- Franz Kline, Untitled, 1950
- Willem de Kooning, Untitled, ca. 1983
- Jackson Pollock, [After Number 8, 1951], CR 1092 (P28), 1951
- Jackson Pollock, [After Number 9, 1951], CR1093 (P29), 1951
- Jackson Pollock, [After Number 27, 1951], CR 1096 (P32), 1951
- Jackson Pollock, [After Number 22, 1951], CR 1095 (P31), 1951
- Jackson Pollock, [After Number 7, 1951], CR 1091 (P27), 1951
- Jackson Pollock, [After Number 19, 1951], CR 1094 (P30), 1951
- Theodoros Stamos, Untitled (Columns of Fire), 1956
- Grace Hartigan, Coffee Pot and Gladiolas, 1954
This exhibition investigates the arc of American Abstraction from the 1930s to the 1980s. The presentation features paintings and works on paper by prominent artists associated with the New York School of Abstract Expressionists and the American Abstract Artists. Founded in 1936, AAA was a predecessor to Abstract Expressionism and contributed to the development and acceptance of abstract art in the United States. This exhibition includes work by Ilya Bolotowsky, Willem de Kooning, Sam Francis, Norman Bluhm, Balcomb Greene, Gertrude Greene, Grace Hartigan, Franz Kline, Jackson Pollock, Rolph Scarlett and Theodoros Stamos.
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